While attempting to investigate an alternative vision of India, director Ravi Jadhav produces a dull story interspersed with eloquent statements from the politician-poet.
Pankaj Tripathi as Atal Bihari Vajpayee in ‘Main Atal Hoon’
Main Atal Hoon uses large brushstrokes to depict the vibrant personality of Atal Bihari Vajpayee; it is largely a gushing tribute and hardly an assessment. The movie offers a fantastic opportunity to comprehend the kind foundation that supported the ascent of right-wing politics in India, and it is based on journalist Sarang Darshane’s biography of the former prime minister. Vajpayee, a young poet who grew up by the Yamuna, decides to focus on the suffering endured by the laborers who built the Taj Mahal, an enduring symbol of love. A tea vendor tells a young Vajpayee that he listened to Jawaharlal Nehru’s address on the day India gains independence, but he was unable to hear a word because it was all in English.Over time, Vajpayee’s voice has become more and more representative of an alternate vision of India.
But the movie Main Atal Hoon, after a compelling beginning, the story of the poet-politician who is equally adept with a lathi and a pen settles down to a dry compilation of Vajpayee’s accomplishments and speeches that are readily accessible on the Internet.
For the most part, it’s still a broad view, flavored with unreserved praise for the popular leader who stated that supporting Hindutva ideology and being a liberal democrat are not mutually exclusive. It barely provides any understanding of how the conservative mind got started and how his worldview developed. Instead, the movie main atal hoon it decides to be cautious. It is unclear what Vajpayee considered Gandhi. Neither his close friend Sikandar Bakht nor the way he made acquaintances from a variety of political backgrounds and how his parent organization, the Rashtriya Swayamsevak Sangh (RSS), opposed some of his liberal beliefs.
Pankaj Tripathi makes a valiant effort to capture the captivating essence of Vajpayee. Similar to the former prime minister, Tripathi is a skilled orator who can captivate an audience. He portrays Vajpayee’s equanimity and steady determination in the midst of a crisis so well that even his detractors have compared him to Teflon-coated. This movie main atal hoon is in addition to his aging-related changes in mood and demeanor. Strangely, Tripathi hasn’t gained weight to portray an aging Vajpayee, but for the most part, it doesn’t affect how well he performs.
The nation’s prime minister for three terms was Shri Atal Bihari Vajpayee. In addition to being a politician, he was a well-known author and poet. This Friday, Main Atal Hoon, a biographical film about the renowned politician, will be released on large screens. Indian PM Pankaj Tripathi, a versatile actor, filled the role. Right now, there’s not much talk about the movie. However, we have seen content-rich movies do quite well at the box office on several occasions.
about the movie main atal hoon:
Main Atal Hoon (Hindi)
Director: Ravi Jadhav
Cast: Pankaj Tripathi, Piyush Mishra, Daya Shankar Pandey, Pramod Pathak, Raja Sevak
Run-time: 137 minutes
Storyline: This movie ‘main atal hoon’ is A biography of Atal Bihar Vajpayee, a former Indian prime minister and co-founder of the Bharatiya Janata Party (BJP)
But the actor’s performance is hindered by glib writing that seems genuine. His case is further hampered by a production design and sound that lack originality. When it comes to contentious subjects, Director Ravi Jadhav rarely sheds the moderate mask that some of his senior colleagues have painted for him. Nor does he look into the doublespeak he has engaged in. The movie discusses the seemingly contradictory opinions of a liberal man in a conservative party twice: In his speech in Lucknow the day before the Babri Mosque was demolished, Vajpayee discusses leveling the surface but also expresses profound regret following the outbreak of communal rioting across the nation. Then, Jadhav provides a brief glimpse into the leader’s private life, who is well-known for having called himself a bachelor.The relationship between Raj Kumari Kaul and Vajpayee is beautifully portrayed by Ekta Kauland Tripathi, but in both instances, Jadhav seldom explores the nooks and crannies.
between the political intellect and the lyrical heart, remaining firmly on the surface.
Vajpayee’s penchant for meat and alcohol doesn’t hold up in a time when the mob is now scrutinizing what is prepared and consumed by characters on film main atal hoon. The film ignores the ways in which his travels abroad influenced the development of his progressive viewpoint in both his personal and professional life. More significantly, it denies room to Balraj Madhok and Dattopant Thengadi, two of his opponents and detractors in the Jan Sangh and Sangh Parivar. Furthermore, it makes no mention of the Mandal Commission report while discussing the Ram Temple Movement.
Evaluation of Vajpayee: The Ascent of the Hindu Right 1924–1977 by Abhishek Choudhary: The Right Man in the Right Party
Raja Sevak’s portrayal of Lal Krishna Advani falls flat, despite Daya Shankar Pandey and Pramod Pathak’s portrayals of Deen Dayal Upadhaya and Shyama Prasad Mukherjee being fairly rendered. Advani’s complicated connection with his senior and his friend is also not adequately depicted in the screenplay, especially when he is the movie’s voice actor. He also lowers the second most significant character in the movie ‘main atal hoon’ to a caricature. It seems unclear why he elevated Vajpayee from the sidelines to the forefront. The actors portraying Sushma Swaraj, APJ Abdul Kalam, and Pramod Mahajan engage in cheesy imitations of the iconic performers. Indeed, following intermission,
To cross off items on the BJP manifestos, Tripathi appears to be acting out scenes from Pokhran II, Kargil, the Lahore Bus Ride, and the Golden Quadrilateral project. The Kandahar Hijack is obviously not included in the list.
Vajpayee’s scathing criticism of the Congress’s anti-democratic practices takes center stage in the story, but his graciousness in recognizing Nehru’s contribution also finds room. It takes us back to a time when there was no barrier between ideologies. The update is appropriate given that the movie